Release Year: 2020 Catherine Hanrahan Runtime: 1Hour 37 minute Directors: William Olsson Margaret finds herself in the glittering labyrinth of Tokyo by night and as a respected English teacher of a Japanese flight attendant academy by day. With little life direction, She searches for meaning with fellow ex-pat Ines in a Japanese dive bar, drinking to remember to forget and losing herself in love hotel encounters with men who satisfy a fleeting craving. When she crosses paths with Kazu, a dashing yakuza, she falls in love with him despite the danger and tradition that hinders their chances of being together. We follow her through the dark and light of love and what it means to find oneself abroad with a youthful abandon

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Kay c4 b1p k c4 b1zlar ve a c5 9fk otelleri transmission. Lost Girls and Love Hotels (2020) Dir. William Olsson.
"Love is crazy by another name."
It seems that the cultural differences between Japan and the West are the right place for girls who do not find the compass of their lives to find it in the country of the rising sun.
Margaret (Alexandra Daddario) the protagonist of this story, has parallels with Charlotte. The character Scarlett Johansson played on Lost In Translation. Both are thousands of kilometers from home, nestled in a fast-paced city like Tokyo where, like any great metropolis, preserving the autonomy and originality of existence becomes a challenge.
Margaret is the tough, dense and hardcore version of the character that appears in Sofia Coppola's film.
The abandonment of her father, the recent death of her mother, the schizophrenia of her only brother, make her escape from her country. Forgetting that no matter where you go, your obsessions and unresolved problems will go with you.
She spends her mornings teaching English pronunciation classes at a flight attendant school. The nights are alcoholic and sexual excesses. Frequent meetings with European friends who, like her, live uprooted and like to live surrounded by clouds of smoke and clinking glasses of beer in seedy bars in Tokyo's red light district.
The early mornings are of sexual foreplay with strangers, sexual encounters in passing hotels. Margaret has a sexual behavior full of for rows that includes: erotic asphyxia (hypoxyphilia) bondage (sadomasochism, domination games and submission.
These practices sublimate her self-destructive tendency and her inability to break with a past that does not allow her to see the future with optimism. He looks for the risk of bonding with strangers as a way to punish himself. Until life, kind as it is, provides her with a lesson: within the pain and challenges of the road we travel, beauty can flourish. It is enough to silence the mind and listen to the good things that silence has to tell us.
The good and valuable, brief is. It can be reborn over and over again, like the cherry blossom, like the temporality and transient nature of beauty and life, but also flow with the transformation cycle of life.

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